Diran Adebayo
Secrets
(2011)

A ‘First Story’ anthology edited by Diran Adebayo

Sons and Mothers
Published by Virago (1996 / 1997)

‘The Quality of Mercy’ in ‘Sons and Mothers’

New Writing
Published by Picador (2003)

A yearly anthology that showcase new UK and Commonwealth literature. Co-edited by Diran Adebayo

Underworlds – The Hidden City
Published by The Maia Press (2005)

Channel 4 At 25
Published by Channel 4 (2007)

Ox-Tails: Air
Published by Profile Books (2009)

Some Kind of Black
Published by Virago (1996) and Abacus (1997)

  

‘Has the rare, incandescent energy of a story that’s never been told. A classic coming-of-age tale…marks the debut of a serious talent.’
GQ

‘ It is difficult to discuss the book without talking in terms of its uniqueness – and without resorting to superlatives…a tremendously rich, subtle and nuanced read.’
The Scotsman

‘A gloriously capable and confident writer…Some Kind of Black is thoughtful, witty and moving…it is refreshing to read something so extrovert and alert…I urge you to read it.’
The Times

Awards
:

Winner, Saga Prize, 1995
Betty Trask Award, 1996
Authors’ Club’s ‘Best First Novel’ Award, 1996
The Writers Guild’s New Writer of the Year, 1996
Longlisted, Booker Prize

Click here for more reviews and press interviews

About ‘Some Kind of Black’ – click here to listen
Dele and Andria in two spots of bother – click here to listen

My Once Upon a Time
Published by Abacus (2000 / 2001)

A writer of vibrant originality…This is a book that sings…by turns rhapsodic, exhilarating and poignant. Adebayo is a real find, and My Once Upon a Time a magical fairy-tale for our times’
Sunday Telegraph

‘This is detective fiction with an atmosphere of fairly tale and dark echoes of the Old Testament and African myth. Adebayo’s work makes its own world while never losing the hard edges of everyday life. His language has a conversational suppleness which can accomodate pathos, bewilderment, and moments of beauty. The book keeps surprising, never easily giving up its answers or letting the reader settle… In the end you’re in another country and with the Gods’
Time Out

‘Boasting all the vibrant wit, imagination and emotion of a true classic, My Once Upon A Time effortlessly blends past myth with future realism in groundbreaking-style. Adebayo has created a Pilgrim’s Progress for our times.’
Straight No Chaser

Adebayo teases, provokes,entertains, alarms, frightens and delights.’
Literary Review

‘Gritty yet enchanting…a melting pot of voices talking in Jamaican patois, south London streetspeak and educated Englishman – are what makes this a work of art. Yet for all it’s lyrical , sometimes magical qualities, this work sings with reality. Adebayo has written an important novel. His fable tells some very real, untold stories’
Sunday Express

‘Adebayo orchestrates Boy’s encounters without the stock features of most gumshoe thrillers….My Once Upon a Time gets its kicks by flushing out the extraordinary from the ordinary. The lugubrious realities of city life imbue the narrative with a highly distinctive flavour which is enhanced by Adebayo’s fresh, idiosyncratic language. This is a very bold work. It is, as the title suggests, a story about storytelling as well as a thriller’
Independent on Sunday

‘My Once Upon a Time is not so much a novel subverting a tired genre as one that turns it on its head…His greatest asset, beyond his clinical observational skills, is a prose style built around the rhythms of black speech and music…Boy’s quest is engrossing, an urban fable of considerable style and impact’
Time

About ‘My Once Upon A Time‘, on Old world black (African) versus New World Black, book covers and how to be a fetishist in two easy steps – click here to listen
Intro/ Outro. A mystery man – click here to listen
Outside da Club (‘Ice-Cream’) – click here to listen
Boy in the last-chance saloon (Music: Wu-Tang’s ‘Heaven and Hell’) – click here to listen